|
|
An
unrelenting character study of tragic proportions, Frank Whaley’s The Jimmy
Show is such a bleak and devastating film, with scenes of relief coming
around as often as full moons, that the title character is not only bound for
failure - - he’s never even given a chance at redemption. The
hapless fella at hand is wannabe comedian Jimmy O’Brien (Whaley), an aging
loser who still maintains the same work position held in high school, at the
local supermarket. As the film tracks along with Jimmy from one disappointment
to the next, never giving the man the slightest break from life’s drudgery,
we’re left to ponder whether there is anything he could do to reclaim
his livelihood. I personally did and do not think there was, which made the film
all the more depressing. Jimmy
marries his high school sweetheart, Annie (Carla Gugino), after she professes to
be pregnant. Marriage or children aren’t the greatest idea, though, since our
hero still lives with his wheelchair-bound grandmother (Lynn Cohen) in her
ancient house in a blue-collar New Jersey neighborhood. Not the cheeriest of
atmospheres for young newlyweds, but what’re you gonna do? Jimmy
has aspirations of becoming a comedian. The problem is, he’s not funny. His
stand-up routines in open mic clubs are embarrassing, so he stops telling jokes
and does what he knows best, which is complain about his miserable life. And
miserable it is. This
is Whaley’s second directorial feature. Acting as writer-director, as well as
star, he knows how to build a somber mood that can cause the cheeriest of people
to mope around with a sunken head. There is one scene where Jimmy takes his wife
out for their anniversary to a lively restaurant, but when the restaurant loses
their reservation and Jimmy makes a huge deal out of it, they leave to eat in an
empty and gloomy diner; not even wishing one another “Happy anniversary”. Whaley
drew together some talented actors to support his performance. Ethan Hawke has
an amusing cameo as Jimmy’s clueless best friend and co-worker, dropping
cartons from carriers like any bumbling pothead would. But it’s Whaley himself
as the pathetic, whining Jimmy that steals the show; and that isn’t because
he’s in every scene of the film. The veteran character actor, who last had a
cameo in Red Dragon, knows this material by heart (he’s played the role
many times on stage), and by adapting Jonathan Marc Sherman’s play to the
screen (previously titled Veins & Thumbtacks), Whaley delivers one of
the most effective performances of his career. It’s up there with his bumbling
“What?” character from Pulp Fiction. GRADE:
B+ |
|