|
|
Set
in the slums of the South Bronx, one of many New York neighborhoods most
Caucasians steer clear from, Empire is an uninspired gangster movie that
plays like a modern-day retelling of superior crime films such as Scarface and
Carlito’s Way. The problem is Empire,
lacks the craft and intelligence of both De Palma movies. First time
writer-director Franc Reyes seems more intent on illustrating the daily violence
in a drug-lord’s life than tending to his plot’s rationality. And while the
filmmaker succeeds in depicting the grittiness of the South Bronx, when it comes
to sensible storylines, his debut film suffers. Empire
is the first movie to be released by new Latino film label, Arenas
Entertainment. The company’s purpose is to fund, promote, and release Latino
filmmakers’ projects. Arenas might have been better off releasing a less
flashy movie, something along the lines of last spring’s Nine Queens,
as their first offering.
With
fast-cuts, senselessly stylized violence, and taboo rap tracks playing as
bullets are being fired, Empire should have gone straight-to-video. But
with names like Denise Richards, Fat Joe, and John Leguizamo, a video release
wouldn’t be wise for Arenas’ parent studio, Universal. Leguizamo
stars as Victor Rosa, an entrepreneur with one goal in life: to make money.
Victor is one of the city’s largest drug kingpins and firmly believes in
the American Dream of acquiring as much money as possible by using any means
necessary. When a chance to diversify comes about, in the form of snaky Wall St.
financial advisor Jack Wimmer (Peter Sarsgaard), Victor slides back and forth
between two lifestyles, one of the streets and another of lush SoHo apartments,
trying to make the best decision to suit him and his pregnant girlfriend
(Delilah Cotto). GRADE: C -Copyright
2002 by Shaun Sages |
|